Produktdetaljer
Biografisk notat
THOMAS ELAESSER is Emeritus Professor at the University of Amsterdam,
and since 2006 Visiting Professor at Yale University. His books include Weimar
Cinema and After (2000), Film Theory: An Introduction Through the Senses (2009) and
The Persistence of Hollywood (2011).
Metropolis is a monumental work. On its release in 1925, after sixteen months'
filming, it was Germany's most expensive feature film, a canvas for director
Fritz Lang's increasingly extravagant ambitions. Lang, inspired by the skyline of
New York, created a whole new vision of cities. One of the greatest works of
science fiction, the film also tells human stories about love and family.
Thomas Elsaesser explores the cultural phenomenon of Metropolis: its different
versions (there is no definitive one), its changing meanings, and its role as a
database of twentieth-century imagery and ideologies.
In his foreword to this special edition, published to celebrate the 20th
anniversary of the BFI Film Classics series, Elsaesser discusses the impact of
the 27 minutes of 'lost' footage discovered in Buenos Aires in 2008, and
incorporated in a restored edition, which premiered in 2010.
filming, it was Germany's most expensive feature film, a canvas for director
Fritz Lang's increasingly extravagant ambitions. Lang, inspired by the skyline of
New York, created a whole new vision of cities. One of the greatest works of
science fiction, the film also tells human stories about love and family.
Thomas Elsaesser explores the cultural phenomenon of Metropolis: its different
versions (there is no definitive one), its changing meanings, and its role as a
database of twentieth-century imagery and ideologies.
In his foreword to this special edition, published to celebrate the 20th
anniversary of the BFI Film Classics series, Elsaesser discusses the impact of
the 27 minutes of 'lost' footage discovered in Buenos Aires in 2008, and
incorporated in a restored edition, which premiered in 2010.
"An indispensable part of every cineaste's bookcase" - Total Film
"Possibly the most bountiful book series in the history of film criticism." - Jonathan Rosenbaum, Film Comment
"Magnificently concentrated examples of flowing freeform critical poetry." - Uncut
"The series is a landmark in film criticism." - Quarterly Review of Film and Video
"A formidable body of work collectively generating some fascinating insights into the evolution of cinema." -Times Higher Education
Celebrating film for over 30 years
The BFI Film Classics series introduces, interprets and celebrates landmarks of world cinema. Each volume offers an argument for the film's 'classic' status, together with discussion of its production and reception history, its place within a genre or national cinema, an account of its technical and aesthetic importance, and in many cases, the author's personal response to the film.
Produktdetaljer
Biografisk notat
THOMAS ELAESSER is Emeritus Professor at the University of Amsterdam,
and since 2006 Visiting Professor at Yale University. His books include Weimar
Cinema and After (2000), Film Theory: An Introduction Through the Senses (2009) and
The Persistence of Hollywood (2011).