“<i>Moral Spectatorship</i> is an important and brave book that dares to consider the formation of subjectivity and intersubjectivity in cinema (and life) through concepts such as feeling, affect, dependency, and care. Drawing upon psychoanalytic theory (not Lacan’s), Lisa Cartwright writes with both passion and skepticism about-and around-a selection of films that foreground the radically ethical nature of human communication, reminding us that film studies can change not only the way we see films but also the way we view our lives.”-<b>Vivian Sobchack</b>, author of <i>Carnal Thoughts: Embodiment and Moving Image Culture</i> “Uncovering alternative traditions in the psychoanalytic study of affect and object relations, while pairing them with deep explorations of American and continental moral philosophy, Lisa Cartwright proposes a series of arguments that will radically remap our understanding of spectatorship and identification. <i>Moral Spectatorship</i> is a path-breaking book and perhaps the first entirely new approach to subject, empathy, and affect in visual cultural studies to have appeared in the new millennium.”-<b>D. N. Rodowick</b>, Professor of Visual and Environmental Studies, Harvard University
For more than two decades, film theory has been dominated by a model of identification tacitly based on the idea of feeling what the other feels or of imagining oneself to be the other. Building on the theories of affect and identification developed by AndrÉ Green, Melanie Klein, Donald W. Winnicott, and Silvan Tomkins, Cartwright develops a model of spectatorship that takes into account and provides a way of critically analyzing the dynamics of a different kind of identification, one that is empathetic and highly intersubjective.
Introduction: Spectatorship, Affect, and Representation 1
1. Moral Spectatorship: Rethinking Identification in Film Theory 11
2. The (Deaf) Woman's Film and the Quiet Revolution in Film Sound: On Projection, Incorporation, and Voice 51
3. "A Child Is Being Beaten": Disorders of Authorship, Agency, and Affect in Facilitated Communication 157
Conclusion: On Empathy and Moral Spectatorship 229
Notes 241
References 255
Index 281
Produktdetaljer
Biografisk notat
Lisa Cartwright is Professor of Communication and Science Studies and a faculty member in Critical Gender Studies at the University of California, San Diego. She is the author of Screening the Body: Tracing Medicine’s Visual Culture, a coauthor of Practices of Looking: An Introduction to Visual Culture, and a coeditor of The Visible Woman: Imaging Technologies, Gender and Science.