Social Justice Journalism A Cultural History of Social Movement Media from Abolition to #womensmarch
Produktdetaljer
Biographical note
Linda J. Lumsden teaches journalism history at The University of Arizona. She is the author of Black, White, and Red All Over: A Cultural History of the Radical Press in Its Heyday, 1900-1917 (2014); INEZ: The Life and Times of Inez Milholland (2004); and Rampant Women: Suffragists and the Right of Assembly (1996). A 2012-2013 Fulbright Scholar in Malaysia, she holds a Ph.D. in mass communication from The University of North Carolina at Chapel Hill.“Ever since Linda J. Lumsden’s incisive biography of Inez Milholland, I have been reading everything she writes. <i>Social Justice Journalism</i> is no exception. Lumsden draws a clear, straight line from the social justice journals of the early twentieth century to the digital social movement advocacy of today that, like its print predecessors, often meets the high journalistic standard of verification.”
—Brooke Kroeger, NYU Arthur L. Carter Journalism Institute, author of <i>The Suffragents: How Women Used Men to Get the Vote</i>; <i>Nellie Bly</i>; and <i>Undercover Reporting: The Truth About Deception</i>
“From the abolitionist press and woman’s suffrage press to the online Resistance media against POTUS45, Linda J. Lumsden brings to life in these pages the energizing history of America’s social justice media. Against often daunting odds for labor, for environmentalists, for civil rights movements, for disabled activists, and others, media activism has been the heart and mind of pressure for progressive change.”
—John D. H. Downing, author of <i>Radical Media: Rebellious Communication and Social Movements</i>
Social Justice Journalism: A Cultural History of Social Movement Media from Abolition to #womensmarch argues that to better understand the evolution, impact, and future of digital social justice media we need to understand their connections to a venerable print culture of dissent. This cultural history seeks to deepen and contextualize knowledge about digital activist journalism by training the lens of social movement theory back on the nearly forgotten role of eight twentieth-century American social justice journals in effecting significant social change. The book deliberately conflates "social movement media" with newer and broader conceptions of "social justice journalism" to highlight changing definitions of journalism in the digital era. It uses framing theory, social movement theory, and theories about the power of facts and emotion in storytelling to show how social movement media practice journalism to mobilize collective action for their cause. After tracing the evolution and functions of each social justice movement’s print culture, each chapter concludes with a comparison to its online counterparts to illuminate links with digital media. The book concludes that digital activist journalism, while in some ways unique, also shares continuities and commonalities with its print predecessors.
This cultural history seeks to deepen and contextualize knowledge about digital activist journalism by training the lens of social movement theory back on the nearly forgotten role of eight twentieth-century American social justice journals in effecting significant social change.
Acknowledgments – Introduction: Abolition Editors, Digital Activists, and Social Justice Journalism – Just the Facts? From the Anti-Slavery Monthly Reporter to William Lloyd Garrison’s Liberator – Strike: The New York Call and Socialist Print Culture – Trailblazer: The Sierra Club Bulletin Helps Build the Environmental Movement – Suffragist: Reframing Agitator: The Arkansas State Press Makes Black Lives Matter in 1942 – Bad Boys: El Malcriado and the Making of the United Farm Workers – Ms.: The First Feminist Mass Media Magazine – "Crips" and "Gimps": Creating a Disability Culture in the Disability Rag – FTM Newsletter: Louis Sullivan Finds Himself and Fosters a Movement – Conclusion: Social Media and Social Justice Journalism – Bibliography – Index.