Ragamala is a unique form of Indian miniature painting developed by combining a variety of sources including musical codes and accompanying poetry to indicate the time of day, or season, in which the melody should be performed. This new book, and the exhibition it accompanies, presents a fine and rare collection of twenty-four ragamala from the collection of Claudio Moscatelli. They are highly coloured, very delicate and beautifully executed miniatures dating from 1605 to c.1770. The book establishes the importance of ragamala's place in the history of world art and celebrates its literary content; its association with music and its regional styles, and provides an interpretation of its symbolism in a way that makes it accessible to a contemporary audience.
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The book establishes the importance of ragamala's place in the history of world art and celebrates its literary content; its association with music and its regional styles, and provides an interpretation of its symbolism in a way that makes it accessible to a contemporary audience.
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Forewords Map Ragamala painting, a brief introduction Anna L. Dallapiccola Ragamalas in the Deccan and what happens when ragas migrate without their texts Robert Skelton The Moscatelli Rajput and Pahari Ragamalas Catherine Glynn Plates Pls. 1-13 and 22-24 Captions by Catherine Glynn Pls. 14-21 Captions by Robert Skelton Ragamala systems Painters' system ragamala Kshemakarna's ragamala Glossary Bibliography Index
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The book establishes the importance of ragamala's place in the history of world art and celebrates its literary content; its association with music and its regional styles, and provides an interpretation of its symbolism in a way that makes it accessible to a contemporary audience.
Les mer

Produktdetaljer

ISBN
9780856676987
Publisert
2011-11-09
Utgiver
Vendor
Philip Wilson Publishers Ltd
Vekt
435 gr
Høyde
225 mm
Bredde
225 mm
Aldersnivå
01, G
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
96

Biographical note

In association with Dulwich Picture Gallery and Brighton Museum & Art Gallery. Catherine Glynn is an independent curator in the field of Indian art. Most recently she participated in the 2010 conference Portraiture in indian Painting, sponsored by the National Portrait Gallery, London. Anna L. Dallapiccola is an Honorary Professor at the University of Edinburgh, and has regularly lectured at the School of Oriental and African Studies, London. Her most recent publications include Catalogue of South Indian Paintings in the collection of the British Museum, 2010. Robert Skelton is a former Keeper of the Indian Department at the Victoria and Albert Museum and has written extensively on Indian miniature paintings and decorative arts of the Sultanate and Mughal periods.