“<i>Real Country</i> is by far the best book on Texas country music and working-class culture since Manuel PeÑa’s <i>The Texas-Mexican Conjunto: History of a Working-Class Music </i>was published in 1985. As opened to us by Aaron A. Fox, the working-class world of Lockhart, Texas, is complex and richly textured, and country music is its most characteristic and expressive voice. Grounded both in the most sophisticated recent scholarship and in Fox’s longtime involvement as performer and observer, <i>Real Country</i> extends to the music the full measure of respect it deserves. In so doing, it carries country music scholarship to a new level that will challenge and guide all subsequent commentators.”-David E. Whisnant, author of <i>Rascally Signs in Sacred Places</i> and <i>All That Is Native and Fine</i> “Aaron A. Fox’s <i>Real Country</i> gets to the heart and drama that fuels the cigarette smoke, music, talk, and beer of a honky tonk Saturday night.”-Peter Wolf, musician “Aaron A. Fox’s <i>Real Country</i> is a powerful and moving study of Texas working class culture (including an articulate defense of the now heavily criticized notion of ‘culture’ itself). Combining the tools of linguistic anthropology, ethnomusicology, and sensitive ethnography, Fox performs a series of brilliant interpretations of ‘vocal practices’-country music and all kinds of talk, mostly in bars-as these actively shape personal subjectivities and interpersonal relationships. The chapter on ‘The Fool in the Mirror’ alone is worth the price of the book.”-Sherry B. Ortner, author of <i>New Jersey Dreaming: Capital, Culture, and the Class of ‘58</i>