Carnival time in The Rover is a period when prohibitions are temporarily removed, privileges and rank suspended, and women - from convent girls to courtesans - take the initiative. Featuring multiple plot lines, which deal with the adventures of a group of love-struck Englishmen in Naples, Aphra Behn's play explores issues of love, trickery and deception, forced marriage, male power, fidelity, and the excesses of sexual passion. Hers is a male-dominated society, but one with a clear-sighted portrayal of the female predicament.

The play is widely taught on A Level courses as well as on undergraduate literature and women's writing courses. This new edition contains a completely new introduction, and takes into account important criticism from the past decade, as well as a new understanding of the nature of theatre in Behn's time, and the significance of her contribution to English drama.

Les mer
Aphra Behn was the first female professional writer in England, and The Rover, her most popular play, is set in Naples during the misrule of carnival time. The Rover explores issues of love, trickery and deception, forced marriage, male power, fidelity, and the excesses of sexual passion.
Les mer
The Rover is the most popular play by the first female professional writer in England, Aphra Behn. Set in Italy during the chaotic misrule of carnival time, the play explores issues of love, deception and the excesses of sexual passion.
Les mer
A completely new introduction brings this best selling text up-to-date

New Mermaids is a series of classic plays from the 16th to the 20th century which are presented in modernised English with on the page notes.

Teachers present editions of these plays that are perfect for students and encourage creative engagement with the text. Introductions include the latest research and critical interpretations to situate each play within contemporary culture. Editors explore the play’s language and plot through gender, sexuality, race, religion, identity, material culture and performance.

New Mermaids are printed in a clear, easy-to-use format, with notes below the text. New editions speak to students, theatre goers and actors who want to engage with classic plays as they are taught and performed across the world today.

General Editors

José A. Pérez Díez, Lecturer in Early Modern Drama, School of English, University of Leeds, UK.
Iman Sheeha, Senior Lecturer in English, Brunel University, UK.

Editorial Board

Brandi Adams, Assistant Professor, English Department, Arizona State University, USA
Francis X. Connor, Chair and Associate Professor, Department of English, Wichita State University, USA
Beth Rebecca Cortese, Assistant Professor, University of Iceland, Iceland
Ambereen Dadabhoy, Associate Professor of Literature, Harvey Mudd College, USA
Nandini Das, Professor of Early Modern English Literature and Culture, University of Oxford, UK
Tracy C. Davis, Barber Professor of Performing Arts, Northwestern University, USA
Brett Greatley-Hirsch, Professor of Renaissance Literature and Textual Studies, University of Leeds, UK
Hetta Howes, Senior Lecturer in Medieval and Early Modern Literature, City University, UK
Hassana Moosa is a Lecturer in English Literature at the University of Cape Town, South Africa
Eoin Price, Lecturer in English Literature, 1500-1650, University of Edinburgh, UK
Eleanor Rycroft, Senior Lecturer, Department of Theatre, University of Bristol, UK

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Produktdetaljer

ISBN
9781408152119
Publisert
2012-10-11
Utgave
3. utgave
Utgiver
Vendor
Methuen Drama
Vekt
150 gr
Høyde
196 mm
Bredde
128 mm
Dybde
14 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
176

Redaktør
Forfatter
Volume editor

Biografisk notat

The editor, Robyn Bolam, is Professor of literature at St Mary's University College, London.