'There is a sordid and disgusting atmosphere,which makes the immorality of the play glaring and crude. There is the very questionable theme in these days of the relationship between masters and servants, which this play tends to undermine.' Lord Cromer, who banned performances of Miss Julie from the English stage in October 1925

It's Midsummer's Eve in the kitchen of a nobleman's house and his haughty daughter Julie flirts and plays with Jean, her father's manservant. But it's a dangerous game and once she has been seduced by him he holds the upper hand.

Miss Julie, Strindberg's mighty play on power, sex and class is presented here in a coruscating version by Frank McGuinness.

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Strindberg's "Miss Julie", a play on power, sex and class, is presented here in a new version by Frank McGuinness, togther with "The Stronger".
August Strindberg's play Miss Julie is here presented in Frank McGuinness's coruscating translation; also included in McGuinness's translation of Strindberg's one act play The Stronger.
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Produktdetaljer

ISBN
9780571205431
Publisert
2003-01-01
Utgiver
Vendor
Faber & Faber
Vekt
126 gr
Høyde
198 mm
Bredde
126 mm
Dybde
6 mm
Aldersnivå
G, P, 01, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Oversetter
Forfatter

Biographical note

Frank McGuinness was born in Buncrana, Co. Donegal, and now lives in Dublin and lectures in English at University College Dublin. His plays include: The Factory Girls (Abbey Theatre, Dublin, 1982), Baglady (Abbey, 1985), Observe the Sons of Ulster Marching Towards the Somme (Abbey, 1985; Hampstead Theatre, London, 1986), Innocence (Gate Theatre, Dublin, 1986), Carthaginians (Abbey, 1988; Hampstead, 1989), Mary and Lizzie (RSC, 1989), The Bread Man (Gate, 1991), Someone Who'll Watch Over Me (Hampstead, West End and Broadway, 1992), The Bird Sanctuary (Abbey, 1994), Mutabilitie (NT, 1997), Dolly West's Kitchen (Abbey, 1999; Old Vic, 2000), Gates of Gold (Gate, 2002), Speaking Like Magpies (Swan, Stratford, 2005), There Came a Gypsy Riding (Almeida, London, 2007), Greta Garbo Came to Donegal (Tricycle Theatre, London, 2010), The Match Box (Liverpool Playhouse Studio, 2012), The Hanging Gardens (Abbey, 2013), Donegal (Abbey, 2016), The Visiting Hour (Gate, 2021) and Dinner With Groucho (The Civic, Belfast, 2022). His widely performed versions include Ibsen's Rosmersholm (1987), Peer Gynt (1988), Hedda Gabler (1994), A Doll's House (1997), The Lady from the Sea (2008) and John Gabriel Borkman (2010); Chekhov's Three Sisters (1990) and Uncle Vanya (1995); Lorca's Yerma (1987); Brecht's The Threepenny Opera (1991) and The Caucasian Chalk Circle (1997); Sophocles' Electra (1998) and Oedipus (2008); Strindberg's Miss Julie (2000); Euripides' Hecuba (2004) and Helen (2009); Racine's Phaedra (2006); Tirso de Molina's Damned by Despair (2012); James Joyce's The Dead (2013); and Molière's Tartuffe (2023). August Strindberg (1849-1912) was a Swedish dramatist, novelist, poet and essayist. His plays include The Father (1887), Miss Julie (1888), Creditors (1889), The Stronger (1890), Easter (1900), The Dance of Death (1900), A Dream Play (1902) and The Ghost Sonata (1907).