<p>Brilliant and elegiac. . . . A writer always conscious of the shadowy borders where myth and history—his own and Western civilization's—mingle.</p>

Marilyn Hacker

<p>Shepherd continues the mining—making mine—of classical texts and textures which has been for so long his forte. . . . No poet of his generation brings more intelligence, passion, wit, and necessary madness to poetry.</p>

Bin Ramke

<p>True poets give gifts. Reginald Shepherd gives his readers the interest of the world. . . . Shepherd's book is a Song of Songs.</p>

Allen Grossman

Se alle

<p>A book worth reading and re-reading.</p>

Patricia Monaghan, <i>Booklist</i>

<p>[Shepherd] is a master of figurative speech, especially metaphors. . . .A stunningly beautiful collection.</p>

<i>Library Journal</i>

<p>[Shepherd's] gifts are admirable in their abundance and their brilliance.</p>

<i>American Book Review</i>

<p>A poet who undeniably attempts and achieves more in each new book than the last. . . . dazzles the reader . . . With four books in the past decade, [he] has established himself as one of the great poets of his generation.</p>

<i>Crab Orchard Review</i>

<p>We are treated to alternately scuttling and hypnotic rhythms, a dazzling range of diction, and the will to topple or invert established heirarchies of power and meaning. . . . Shepherd refuses to shy away from beauty's brutal aspect or to soften the motal edges of desire. . . . Advances his risk-taking body of work.</p>

<i>Boston Review</i>

<p>Through a breathtaking panoply of Grecian gods and Latinate terms, Reginald Shepherd weaves an elaborate mesh of language. The fascinating fabric of the poems in Otherhood is soundplay, and Shepherd is a vertuoso.</p>

<i>Perihelion</i>

<p>Poet and poems push to reinvent themselves, stanza by stanza, pursuing dynamism at the risk of imbalance or even dissolution. The risk is worth it. With Otherhood, Shepherd's gifts appear, incredibly, redoubled.</p>

<i>Constant Critic Reviews</i>

Written in the spaces between otherness and brotherhood, Otherhood combines traditional lyricism with experimentalism, passionate engagement with cold-eyed investigation, and personal details with a depersonalized distance to create a new poetic synthesis.

Les mer

Written in the spaces between otherness and brotherhood, Otherhood combines traditional lyricism with experimentalism, passionate engagement with cold-eyed investigation, and personal details with a depersonalized distance to create a new poetic synthesis.

Les mer

The fourth collection from this much-praised poet combines lyricism with experimentation, creating a unique synthesis of passion and linguistic exploration.

Produktdetaljer

ISBN
9780822957973
Publisert
2003-02-12
Utgiver
University of Pittsburgh Press
Høyde
229 mm
Bredde
152 mm
Aldersnivå
G, UU, UP, P, 01, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
112

Forfatter

Biografisk notat

Reginald Shepherd (1963–2008) was a Black, gay poet who grew up in the Bronx and went on to receive two MFAs, one from Brown University and one from the Iowa Writers Workshop. He authored two collections of poetry criticism and six poetry collections, all published by the University of Pittsburgh Press: Red Clay Weather, Fata Morgana, Otherhood, Wrong, Angel, Interrupted, and Some Are Drowning. His work has been widely awarded and anthologized and has appeared in four editions of The Best American Poetry and two Pushcart Prize anthologies. Shepherd received many awards and honors over his career, including grants from the National Endowment for the Arts and the Guggenheim Foundation, among others.