Since its return to the London stage in 1740, As You Like It has delighted theatergoers, readers, and critics. Its heroine, Rosalind, is one of Shakespeare’s greatest characters. The play’s Forest of Arden setting and its focus on the relationship between natural occurrences and things created by humans (Shakespeare collectively termed these “art”) provide us with access to debates in Renaissance England that relate to the ecological issues of our own time. This Norton Critical Edition is based on the 1623 First Folio text. It is accompanied by a note on the text, eight illustrations, six photographs, and explanatory annotations. “Sources and Contexts” includes, in its entirety, Shakespeare’s primary source for the play—Thomas Lodge’s popular prose romance Rosalynde (1590). Reading Shakespeare’s play with (and against) Lodge’s romance reveals striking similarities and fascinating differences, both large and small. An array of other readings focuses on the central areas of gender and ecology and includes works by Michel de Montaigne, Sir Thomas More, Thomas Bastard, George Gascoygne, and William Prynne. A rich “Criticism” section includes twenty-one commentaries on As You Like It spanning four centuries. Contributors include, among others, Mrs. Anna Jameson, Clara Claiborne Park, Jean E. Howard, Marjorie Garber, James Shapiro, Valerie Traub, Jeffrey Masten, and Robert Smallwood. A Selected Bibliography is also included.
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“All the world’s a stage.” Shakespeare’s beloved pastoral comedy is now available in a Norton Critical Edition.
List of Illustration Preface The Text of As You Like It A Note on the Text Sources and Contexts Thomas Lodge Rosalynde Richard Pace [The Benefit of a Liberal Education] Keith Thomas [Boundaries between Animal and Human] Michel de Montaigne [Humans versus Animals] Sir Thomas More [How Sheep Devour the English] William C. Carroll Enclosure, Vagrancy, and Sedition in the Tudor-Stuart Period Thomas Bastard [Proto-ecological Epigrams] George Gascoygne The Woeful Words of the Hart to the Hunter William Prynne [The Dangers of Theatrical Cross-Dressing] Erica Fudge Dressing Up as a Human Joseph W. Meeker The Comic Mode Walter Benjamin ? Gloves   Criticism William Hazlitt As You Like It Mrs. Anna Jameson Rosalind Edward Dowden [As You Like It as Escape] Anne Barton As You Like It: Shakespeare's "Sense of an Ending" Rosalie Colie Perspectives on Pastoral Linda Woodbridge As You Like It and the Pastoral-Bashing Impulse Clara Claiborne Park As We Like It: How a Girl Can Be Smart and Still Popular Louis Adrian Montrose "The Place of a Brother" in As You Like It Richard Wilson "Like the Old Robin Hood": As You Like It and the Enclosure Riots Jean E. Howard Crossdressing, the Theatre, and Gender Struggle in Early Modern England Marjorie Garber Rosalind the Yeshiva Boy James Shapiro [The Play in 1599] Juliet Dusinberre Pancakes and a Date for As You Like It Laurie Shannon [Friendship in As You Like It] Valerie Traub [The Homoerotics of As You Like It] Cynthia Marshall Constructions of Negation in As You Like It Jeffrey Masten Ganymede's Hand in As You Like It Robert N. Watson [Likenesses: Jaques and the Deer] Gabriel Egan Food and Biological Nature [in] As You Like It Michael Jamieson As You Like It: Performance and Reception Robert Smallwood ? [Royal Shakespeare Company Stagings of the Final Scene]  Selected Bibliography
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List of Illustration Preface The Text of As You Like It A Note on the Text Sources and Contexts Thomas Lodge Rosalynde Richard Pace [The Benefit of a Liberal Education] Keith Thomas [Boundaries between Animal and Human] Michel de Montaigne [Humans versus Animals] Sir Thomas More [How Sheep Devour the English] William C. Carroll Enclosure, Vagrancy, and Sedition in the Tudor-Stuart Period Thomas Bastard [Proto-ecological Epigrams] George Gascoygne The Woeful Words of the Hart to the Hunter William Prynne [The Dangers of Theatrical Cross-Dressing] Erica Fudge Dressing Up as a Human Joseph W. Meeker The Comic Mode Walter Benjamin ? Gloves   Criticism William Hazlitt As You Like It Mrs. Anna Jameson Rosalind Edward Dowden [As You Like It as Escape] Anne Barton As You Like It: Shakespeare's "Sense of an Ending" Rosalie Colie Perspectives on Pastoral Linda Woodbridge As You Like It and the Pastoral-Bashing Impulse Clara Claiborne Park As We Like It: How a Girl Can Be Smart and Still Popular Louis Adrian Montrose "The Place of a Brother" in As You Like It Richard Wilson "Like the Old Robin Hood": As You Like It and the Enclosure Riots Jean E. Howard Crossdressing, the Theatre, and Gender Struggle in Early Modern England Marjorie Garber Rosalind the Yeshiva Boy James Shapiro [The Play in 1599] Juliet Dusinberre Pancakes and a Date for As You Like It Laurie Shannon [Friendship in As You Like It] Valerie Traub [The Homoerotics of As You Like It] Cynthia Marshall Constructions of Negation in As You Like It Jeffrey Masten Ganymede's Hand in As You Like It Robert N. Watson [Likenesses: Jaques and the Deer] Gabriel Egan Food and Biological Nature [in] As You Like It Michael Jamieson As You Like It: Performance and Reception Robert Smallwood ? [Royal Shakespeare Company Stagings of the Final Scene]  Selected Bibliography
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Produktdetaljer

ISBN
9780393927627
Publisert
2011-10-28
Utgiver
WW Norton & Co
Vekt
459 gr
Høyde
213 mm
Bredde
130 mm
Dybde
28 mm
Aldersnivå
G, P, 01, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
480

Redaktør

Biografisk notat

Leah S. Marcus is Edwin Mims Professor of English at Vanderbilt University. She is the author of Childhood and Cultural Despair, The Politics of Mirth, Puzzling Shakespeare, and Unediting the Renaissance. She has edited two volumes of the writings of Queen Elizabeth I (with Janel Mueller and Mary Beth Rose), a Norton Critical Edition of The Merchant of Venice, and an Arden Early Modern Drama text of John Webster’s The Duchess of Malfi.