'Electrifying. Essential reading' Olivia Laing 'Compelling, shocking, hot, scary' Kristen Roupenian'Horrific, the sexiest book ever, devastatingly true' Daisy Johnson'Extraordinary' Lucie Whitehouse'When I finished I was ready to pass out' Olivia Sudjic'One of my favourite books' Megan Hunter

A true original ... Disturbingly dark, explosively violent, powerfully erotic and brilliantly written. - Sunday TimesNot a word is wasted in this examination of one woman's sexual odyssey as Moore builds to a shattering climax. - i newspaperImagine Gone Girl had it been co-written by Mary Gaitskill and Lydia Davis and you're heading in the right direction ... We need books like In the Cut now not simply because it's a cult classic, both timeless and timely, nor even for hope in the dark, but to allow us to articulate that darkness. - GuardianYou could describe IN THE CUT as an erotic thriller, and you wouldn't exactly be wrong, because it's certainly that; but it's also an uncompromising excavation of the darker reaches of female desire, and a uncomfortably heightened depiction of what it is like for a woman to feel endlessly watched and menaced by men. Its ending is also one of the most devastating things I have ever read. - Irish TimesA timely rebuke to the antiseptic quality of much of today's crime fiction. It is a short, nasty thriller that is badly underrated - TelegraphThe bold, feminist psychosexual thriller you need to read now ... How I felt reading In The Cut: titillated, feverish and ravenous ... I know I will be sending copies to friends who are ready to talk about what justice looks like now, how our sex lives might look in the future, and whether the violence that has conditioned so many women's lives will ever end. - VogueIn the Cut resonates anew in a culture sharply attuned to the violation of female bodies ... Moore's deadpan prose is just extraordinary... The final scene is unlike any written in a modern novel... feels newly provocative in the era of Me Too. - MetroIN THE CUT works because it plays on some of our darkest and most realistic fears, forcing us to consider whether our suspicion of men in individual cases is warranted, or rather the product of deep-seated anxieties... If Sex and the City, which aired three years after IN THE CUT was first published, explored the complications of women's sexual liberation, then Moore's novel explores its dangers - New Statesman