Produktdetaljer
Biografisk notat
Edward St Aubyn was born in London. His internationally acclaimed Patrick Melrose novels are Never Mind, Bad News, Some Hope, Mother’s Milk (winner of the Prix Femina étranger and shortlisted for the Booker Prize) and At Last. The series was made into a BAFTA award-winning Sky Atlantic TV series starring Benedict Cumberbatch in the title role. St Aubyn is also the author of A Clue to the Exit, On the Edge (shortlisted for the Guardian Fiction Prize), Lost for Words (winner of the Bollinger Everyman Wodehouse Prize), Dunbar and Double Blind.
I love Edward St Aubyn
- DONNA TARTT,
Perhaps the most brilliant English novelist of his generation
- ALAN HOLLINGHURST,
<b>A compassionate book</b>… St Aubyn can express things you always knew but had never had the words for
The Times
St Aubyn’s writing is as astute as ever. <b>A coincidence-driven comedy of errors… Glinting with hard-won wisdom lightly worn</b>
Observer
The Patrick Melrose author brings his <b>trademark dark wit and flinty compassion</b> to this wide-ranging sequel… St Aubyn is <b>clear-sighted and humane</b> on the basic requirement of life: ‘Compassion is just love in the face of suffering and love does not run out with use – it grows stronger’
Guardian
It is a novel rich in characters and perspectives… <b>The story whips along… All the while, <i>Parallel Lines</i> is building towards a showdown that threatens to break its characters and their values</b>. It doesn’t disappoint
Evening Standard
<b>A state-of-the-nation novel</b> that brilliantly uses the conventions of farce, satire and social critique to evoke a nation drifting indifferently into chaos… St Aubyn’s portrait of the family and its sharp-edged sketches of various institutions of British life are often <b>very, very funny and always penetrating</b>; but they are also at times moving, especially when they relate to mental health… [<i>Parallel Lines</i>] has <b>formal verve and political vitality</b>
- Orwell Prize for Political Fiction Judges, 2025,
St Aubyn remains a <b>terrific </b>writer… [<i>Parallel Lines</i>] is <b>genuinely affecting</b>
i
<b>A tale of analysis, art and family dysfunction</b>… In a novel brimming with wordplay, Sebastian’s eagerness to make meaningful connections is <b>affecting</b>
Financial Times
<i>Parallel Lines</i> is entertaining, tidily put together and…<b>sparklingly well written</b>
Literary Review
A brother and sister lost and found, in a novel that seizes your heart and enthrals your mind, from the author of the Patrick Melrose series.
‘Perhaps the most brilliant English novelist of his generation’ Alan Hollinghurst
‘We set off in opposite directions and walked around the world until we met, and I’m very pleased we have…’
Sebastian is in treatment following a breakdown that has left him with a fragile hold on reality and a hunger to connect with the mother who abandoned him. His therapist, Martin, also faces challenges, including his adopted daughter Olivia’s tenuous relationship with her biological mother. Olivia, meanwhile, is producing a radio series on natural disasters, which itself seems to be running parallel to the events unfolding in her personal life.
Over a year, their fates collide and each of their destinies is revealed in a marvellous new light.
‘A tale of art and family…brimming with wordplay’ Financial Times
‘Sentences that whoosh past like arrows… St Aubyn’s talents are mighty’ New York Times
‘I love Edward St Aubyn’ Donna Tartt
I love Edward St Aubyn
- DONNA TARTT,
Perhaps the most brilliant English novelist of his generation
- ALAN HOLLINGHURST,
<b>A compassionate book</b>… St Aubyn can express things you always knew but had never had the words for
The Times
St Aubyn’s writing is as astute as ever. <b>A coincidence-driven comedy of errors… Glinting with hard-won wisdom lightly worn</b>
Observer
The Patrick Melrose author brings his <b>trademark dark wit and flinty compassion</b> to this wide-ranging sequel… St Aubyn is <b>clear-sighted and humane</b> on the basic requirement of life: ‘Compassion is just love in the face of suffering and love does not run out with use – it grows stronger’
Guardian
It is a novel rich in characters and perspectives… <b>The story whips along… All the while, <i>Parallel Lines</i> is building towards a showdown that threatens to break its characters and their values</b>. It doesn’t disappoint
Evening Standard
<b>A state-of-the-nation novel</b> that brilliantly uses the conventions of farce, satire and social critique to evoke a nation drifting indifferently into chaos… St Aubyn’s portrait of the family and its sharp-edged sketches of various institutions of British life are often <b>very, very funny and always penetrating</b>; but they are also at times moving, especially when they relate to mental health… [<i>Parallel Lines</i>] has <b>formal verve and political vitality</b>
- Orwell Prize for Political Fiction Judges, 2025,
St Aubyn remains a <b>terrific </b>writer… [<i>Parallel Lines</i>] is <b>genuinely affecting</b>
i
<b>A tale of analysis, art and family dysfunction</b>… In a novel brimming with wordplay, Sebastian’s eagerness to make meaningful connections is <b>affecting</b>
Financial Times
<i>Parallel Lines</i> is entertaining, tidily put together and…<b>sparklingly well written</b>
Literary Review
A brother and sister lost and found, in a novel that seizes your heart and enthrals your mind, from the author of the Patrick Melrose series.
‘Perhaps the most brilliant English novelist of his generation’ Alan Hollinghurst
‘We set off in opposite directions and walked around the world until we met, and I’m very pleased we have…’
Sebastian is in treatment following a breakdown that has left him with a fragile hold on reality and a hunger to connect with the mother who abandoned him. His therapist, Martin, also faces challenges, including his adopted daughter Olivia’s tenuous relationship with her biological mother. Olivia, meanwhile, is producing a radio series on natural disasters, which itself seems to be running parallel to the events unfolding in her personal life.
Over a year, their fates collide and each of their destinies is revealed in a marvellous new light.
‘A tale of art and family…brimming with wordplay’ Financial Times
‘Sentences that whoosh past like arrows… St Aubyn’s talents are mighty’ New York Times
‘I love Edward St Aubyn’ Donna Tartt