Produktdetaljer
Biografisk notat
Chloe Aridjis is the author of Book of Clouds, which won the Prix du Premier Roman Etranger in France, Asunder, and Sea Monsters, winner of the PEN/Faulkner Award for Fiction. She writes for various art journals and was a guest curator at Tate Liverpool. In 2014 she was awarded a Guggenheim Fellowship. Her most recent book is the collection Dialogue with a Somnambulist; Stories, Essays, and a Portrait Gallery. She lives in London.<b>'Chloe Aridjis is a revolutionary who is quietly changing the whole novel form.</b> She is mining the richest seam in the vast field of fiction and coming up with gold. Her radiantly lyrical and intelligent writing is thrilling to read.'
Neel Mukherjee
'Clandestine, compassionate, and ever so slightly off-kilter, Chloe Aridjis's <b>magnificent sleight of hand</b> reshuffles the novel and places before us a beautiful and mischievous magic lantern of a book that casts out a multitude of unforgettable scenes,<b> while shining a steady granular light on the hidden depths of the human psyche.'</b>
Claire-Louise Bennett
'In the world <i>The Shadow of the Object</i> brings to light – now sharply focused, now only uncertainly defined – Chloe Aridjis patiently layers signs and symbols into a resonant network. <b>A beautiful, eerie, grief-haunted novel.'</b>
Chris Power
'With <i>The Shadow of the Object</i> Aridjis <b>cements her status as the laureate of the peripatetic </b>— of all that’s serendipitous, strange, improbable and, for these very reasons, true.'
Tom McCarthy
<b>'There is a keen intelligence and an eerie sensuality to everything that Chloe Aridjis writes.</b> Reading <i>The Shadow of the Object </i>is a little like entering a dream state. A subtly addictive and intensely atmospheric experience. You won’t want to wake up.'
Rupert Thomson
<b>'Lucid and fabulous,</b> and it bites.'
Daisy Hildyard
<i>'</i>A wildly brilliant and beautifully crafted novel. By turns <b>mesmerising, magical, elegiac and funny</b>, it's utterly compelling, original and surprising. I devoured it.'
Jennifer Higgie
<b>[An] enchanting new novel…</b> Aridjis never allows her narrative to become surreal, but revels in the ‘marvellous real’. She creates a world full of wonder without indulging in the impossible
Literary Review
<b>‘Aridjis is a virtuoso of the gorgeously written art nove</b>l… A digressive and symbolically rich meditation on the nature of storytelling, sparkling with zany detail’
Daily Mail
'One of our boldest writers' Deborah Levy
A magnificent work of shadow-play and a meditation on desire, metamorphosis and mortality.
Flora is visiting home in Mexico when the family dog leaps up and bites her hand. She winds up in hospital where she undergoes several surgeries under anaesthesia and meets Wilhelmina, an elderly German woman with pneumonia, who collects pre-cinema toys and instruments. The two of them embark on a series of dream-like conversations in the hospital corridors. Wilhelmina puts on a magic lantern show for Flora, leaving her spellbound.
When things take an unexpected turn, Flora finds herself entrusted with an important mission. She returns to London, where she resumes her job polishing silver at a jewellery shop, and strikes up a strange friendship with Wilhelmina’s son, Max. As Flora dips in and out of her imagination, she is increasingly aware it’s not only the magic lantern that projects, and her perception of reality is subtly altered.
‘One of the most brilliant novelists working in English today’ Garth Greenwell
‘The politics of her prose is existential rather than anecdotal, as it was with Kafka’s’ Zadie Smith
‘A subtle and courageous writer’ Ali Smith
‘Chloe Aridjis is crafting a poetics of the strange’ TLS