New b-format edition of this moving ghost story, whose author won the 2015 Astrid Lindgren Prize Thomasine has spent months living in her great-great aunt's dusty, dark house with her father, and her aunt, uncle and cousins. While her father's siblings bicker about how much the house must be worth, her distant, elderly aunt is upstairs, dying, and her father has disappeared inside himself, still mourning the death of Thomasine's little brother. But one day, her youngest cousin makes a discovery: a wardrobe, filled with all the mirrors missing from the big house. And through the mirrors, a different world - one in which you can find not what you most wish for, but perhaps what you most need... A beautiful tale of love, grief and growing up, A House Without Mirrors is an unforgettable adventure into families and the power of love. 'Hauntingly beautiful... Reminiscent of an old-fashioned classic story with many similarities toTom's Midnight Garden in theme, this novel cannot fail to be uplifting' Outside in World 'Perhaps one of the most beautiful books I have read this year' The Book Wars 'There is plenty to hold young readers' attention in the children themselves, their convincing interplay with the adult and the general air of mystery' Books for Keeps 'Not one to be missed... Fantastic' Transatlantic Bibliophilia 'A classic story that has it all' Dagens Nyheter MÅRTEN SANDÉN is one of Sweden's bestselling children's writers. Originally a songwriter, he has written more than 30 books, ranging from picture books to YA novels, series and standalone titles. In 2015 he was awarded the Astrid Lindgren Prize for his life's work. Moa Schulman has one foot in a world of images and another in text; she studied literature and linguistics at Stockholm University, and illustration and graphic design at Konstfack. She designs for print, illustrates for children, and publishes books under her own Dockhaven imprint.
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A moving ghost story that explores the overcoming of loss, and how to move on.
Hauntingly beautiful... Reminiscent of an old-fashioned classic story with many similarities to Tom's Midnight Garden in theme, this novel cannot fail to be uplifting Outside in World Perhaps one of the most beautiful books I have read this year The Book Wars There is plenty to hold young readers' attention in the children themselves, their convincing interplay with the adult and the general air of mystery Books for Keeps Not one to be missed... Fantastic Transatlantic Bibliophilia A classic story that has it all Dagens Nyheter Schulman's black-and-white illustrations capture the haunting sense of mystery Booklist
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"One hundred! Ready or not, here I come!" The echo of my cry bounced around the hall in Henrietta’s house for a moment before dying out. As silence returned I could hear the creaking of the parquet floors upstairs. It was my cousins looking for places to hide.?We played hide-and-seek nearly every day, but I rarely got to be the seeker. Both Wilma and Erland said that it wouldn’t be fair, as I could find my way around Henrietta’s house so much better than they could. I suppose they were right, as Dad always let me tag along when he was looking after Henrietta, but it’s still not much fun when you hardly ever get to be the seeker.And, besides, you’d have expected my cousins to know their way around by then. Wilma and her mum, Dad’s sister Kajsa, had arrived over three weeks before, and Erland and Signe had been here since school broke up. Their dad, Uncle Daniel, worked at the university, so he had the summers off. But no one had been at Henrietta’s house as long as me and Dad. Apart from Henrietta herself, of course. The afternoon light fell through the stained-glass mosaic in the window up above the stairs and seeped out in pale-coloured stains across the floor in the hall. The floor was black and white, like a chessboard, and sometimes I remembered playing a sort of pretend chess there when I was little. I remembered the feeling very clearly, and I remembered that somebody else was there with me. Henrietta, perhaps, in the days when she could still walk on her own. I quickly searched the ground floor. There weren’t that many places to hide, as Henrietta had sold or given away most of her furniture since she’d been living here alone. Dad says that she’d been preparing for death for a long time. Many of the rooms were completely empty now; just some junk against the walls, or a cupboard too heavy to be moved. When you’re playing hide-and-seek, that emptiness is good for the seeker and bad for the hiders. I slunk through the dining room, the parlours and lounges and the corner room, which was called the Office, and continued towards the conservatory, which was a large, glassed-in room at the back of the house. There was no one there, and no one in the kitchen or the pantry either. Not even Signe, my youngest cousin. Signe usually hid close to the kitchen because she was a little afraid of the dark. On the great stairs leading up to the first floor and the drawing rooms, I stopped and listened. The creaking had stopped; they had probably all found places to hide. They could be anywhere. Dad said that he hardly knew how many rooms there were in Henrietta’s house, but that was just him talking. He knew as well as I did that there were nineteen. Twenty with the conservatory. Ten of the rooms were bedrooms—if you counted the two tiny ones behind the kitchen that used to be the cook’s room and the maid’s room, when Henrietta and my great- grandfather were kids nearly a hundred years ago. I had barely started looking through the drawing rooms when I saw somebody standing on the stairs leading up to the second floor. At first I thought it was Erland lurking there in the shadows on the landing with his arms hanging down beside him. But luckily it wasn’t. It was Signe, Erland’s little sister. "What’s up, Signe?" I asked. "Can’t you find a place to hide?" Signe shook her head. She looked frightened. Both Erland and Uncle Daniel treated Signe as if she were a dimwit, just because she never said anything. She wasn’t. She just didn’t like talking. I went up to the landing where Signe was standing and reached out my hand towards her. "Come," I said. "I’ll help you." Signe took my hand and together we climbed the stairs towards the bedrooms. When we reached the dark corridor leading to my room, I could feel Signe’s hand tightening around mine. I squeezed her hand back.
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Produktdetaljer

ISBN
9781782691211
Publisert
2016-07-28
Utgiver
Vendor
Pushkin Children's Books
Høyde
198 mm
Bredde
129 mm
Aldersnivå
JC, 02
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
192

Forfatter
Illustratør
Oversetter

Biographical note

MÅRTEN SANDÉN is one of Sweden's bestselling children's writers. Originally a songwriter, he has written more than 30 books, ranging from picture books to YA novels, series and standalone titles. In 2015 he was awarded the Astrid Lindgren Prize for his life's work. Moa Schulman has one foot in a world of images and another in text; she studied literature and linguistics at Stockholm University, and illustration and graphic design at Konstfack. She designs for print, illustrates for children, and publishes books under her own Dockhaven imprint.