'... the author's stated aim is 'to explain something of what Roman art was intended to do, how it functioned, and how ... it was perceived.' Peter Stewart succeeds admirably in his stated objective ... this book provides a brilliantly incisive account of Roman art and is thoroughly recommended.' Minerva

The character of Roman art history has changed in recent years. More than ever before, it is concerned with the role of art in ancient society, including the functions that it served and the values and assumptions that it reflects. At the same time, images have become centrally important to the study of ancient history in general. This book offers a, critical introduction to Roman art against the background of these developments. Focusing on selected examples and themes, it sets the images in context, explains how they have been interpreted, and explodes some of the modern myths that surround them. It also explores some of the problems and contradictions that we face when we try to deal with ancient art in this manner. From wall-paintings to statues, from coins to the gravestones, this is a lucid and often provocative appraisal of the world of Roman images.
Les mer
More than ever before, students and scholars of the classical world use Roman images and wish to understand them. Using selected examples and themes, Stewart provides an introduction to the study of ancient Roman art in its social context and explains how and why Roman art was made and used.
Les mer
Introduction; 1. Who made Roman art?; 2. Identity and status; 3. Portraits in society; 4. The power of images; 5. Art of the empire.
An introduction to the study of ancient Roman art in its social context.

Produktdetaljer

ISBN
9780521016599
Publisert
2008-05-29
Utgiver
Vendor
Cambridge University Press
Vekt
350 gr
Høyde
230 mm
Bredde
150 mm
Dybde
12 mm
Aldersnivå
05, 01, 06, U, G, P
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
218

Forfatter

Biografisk notat

Peter Stewart is Senior Lecturer in Classical Art and its Heritage at the Courtauld Institute of Art, London. His previous publications include Statues in Roman Society: Representation and Response (2003) and Roman Art (2004).