_STILLMOVING I _IS A FILM THEORETICAL EXPLORATION OF THIS CONCEPT. IT IS A THEORETICAL AND CONCEPTUAL CONTRIBUTION TO CINEMA AND MEDIA STUDIES IN GENERAL AND _SLOW CINEMA _AND _STILL MOVING _SCHOLARSHIP IN PARTICULAR, ASKING WHAT KIND OF IMAGE A STILL EINSTELLUNG GENERATES. The book retains the German term, _Einstellung, _using the ambiguity inherent in this particular kind of image phenomenon as its point of departure: the long take, or at least a continuous unbroken take, effected by an immobile camera whose captured content could potentially contain perceptible movements produced by entities within the composition framed. The author asks whether this image is a still image, or a moving image, or both, or neither, or, finally, what Faldalen terms _s__tillmoving_. Underlying these deliberations is the question of how cinema represents or mediates stillness. _ __Stillmoving I_ unfolds over three chapters that examine the concept of _still Einstellung _in relation to _slow cinema_ scholarship throughout the last two decades, in relation to approaches referred to as _stillmoving scholarship_, and in relation to reflections and shadows.