_STILLMOVING II _STUDIES A FOUNDATIONAL FIGURE OF STYLE: A STATIC LONG TAKE, DISCUSSED HERE AS A _STILL EINSTELLUNG_. AN ANALYTICAL, THEORETICAL AND CONCEPTUAL CONTRIBUTION TO CINEMA AND MEDIA STUDIES IN GENERAL AND _SLOW CINEMA _AND _STILL MOVING _SCHOLARSHIP IN PARTICULAR, THE BOOK ASKS WHAT KIND OF IMAGE A STILL EINSTELLUNG GENERATES. Through figure of style analysis of the still Einstellung of Louis Lumière and _Quai de l'Archevêché _(Lumière operator, 1896), André Bazin's conceptualization of “the immobility of the sequence shot” in the kitchen scene in _The Magnificent Ambersons _(Orson Welles, 1942), and the MPEG compression codec, _Stillmoving II _suggests that a still Einstellung causes stillmoving imagenesis, a both/neither first kind of image generation in a thirding or firsting of stillmoving/still/ moving imagenesis. As truly something else, while – like moving imagenesis – moving the moving as moving, a still Einstellung calms the unmoving as continuing, or: it stills the still as still. This is part of a disarming of the eye and camera.