«The fascinating studies of the architecture of ‘media houses’ – the head-office buildings of powerful media corporations – brought together in this edited book, make a strikingly original contribution to current debates about the power of so-called ‘central media’. Together they are a significant addition to our understanding of the ways in which the spaces and places of central media institutions contribute to defining the common, globalized world of the early twenty-first century. A ‘must-read’ for all of us concerned with global media today.» (Paddy Scannell, University of Michigan)<br /> «This collection follows a wonderfully original pathway to understanding media: through the buildings that house them. The book offers a harvest of insight about the historical and cultural footprint of media by reading the built environments of media institutions in a diverse array of nations, styles, and moments.» (John Durham Peters, University of Iowa)

«The fascinating studies of the architecture of ‘media houses’ – the head-office buildings of powerful media corporations – brought together in this edited book, make a strikingly original contribution to current debates about the power of so-called ‘central media’. Together they are a significant addition to our understanding of the ways in which the spaces and places of central media institutions contribute to defining the common, globalized world of the early twenty-first century. A ‘must-read’ for all of us concerned with global media today.» (Paddy Scannell, University of Michigan)<br /> «This collection follows a wonderfully original pathway to understanding media: through the buildings that house them. The book offers a harvest of insight about the historical and cultural footprint of media by reading the built environments of media institutions in a diverse array of nations, styles, and moments.» (John Durham Peters, University of Iowa)

In much recent theory, the media are described as ephemeral, ubiquitous, and de-localized. Yet the activity of modern media can be traced to spatial centers that are tangible enough – some even monumental. This book offers multidisciplinary and historical perspectives on the buildings of some of the world’s major media institutions. Paradoxically, as material and aesthetic manifestations of «mediated centers» of power, they provide sites to the siteless and solidity to the immaterial. The authors analyse the ways that architectural form and organization reflect different eras, media technologies, ideologies, and relations with the public in media houses from New York and Silicon Valley to London, Moscow, and Beijing.
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In much recent theory, the media are described as ephemeral, ubiquitous, and de-localized. Yet the activity of modern media can be traced to spatial centers that are tangible enough - some even monumental. This book offers multidisciplinary and historical perspectives on the buildings of some of the world's media institutions.
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Contents: Staffan Ericson/Kristina Riegert/Patrik Åker: Introduction – Staffan Ericson: The Interior of the Ubiquitous: Broadcasting House, London – Kristina Riegert: The End of the Iconic Home of Empire: Pondering the Move of the BBC World Service from Bush House – Patrik Åker: Ostankino TV Tower, Moscow: An Obsession with Space – Peter Jakobsson/Fredrik Stiernstedt: Googleplex and Informational Culture – Shannon Mattern: Edge Blending: Light, Crystalline Fluidity, and the Materiality of New Media at Gehry’s IAC Headquarters – Sven-Olov Wallenstein: Looping Ideology: The CCTV Center in Beijing – Helena Mattsson: Real TV: Architecture as Social Media.
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Produktdetaljer

ISBN
9781433105838
Publisert
2010
Utgiver
Vendor
Peter Lang Publishing Inc
Vekt
320 gr
Høyde
225 mm
Bredde
150 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Biographical note

The Editors: Staffan Ericson is Associate Professor in Media and Communication at Södertörn University, and head of the research project Media Houses.
Kristina Riegert is Professor in Media and Communication at Stockholm University.