"Dorr’s intricately interwoven case studies offer important methodological and substantive insights for the study of Latin American music." - Nancy Sue Love (Ethnic and Racial Studies) "<i>On Site, In Sound</i> is a rare and invaluable book that brings into critical colloquy the fields of ethnomusicology, critical geography, ethnic studies, performance studies, and gender studies. . . . The book is a great read of undoubtedly great use for scholars in the aforementioned fields of study, or to any student who wants to learn about the spatially transformative powers of sound and music, or more about Peruvian culture in general, although a degree of familiarity with either Latin American cultural studies or critical geography is recommended." - Nathan Siu-Fung Cheung (Antipode) "Dorr explodes the discussion of sound’s emplacement across epochs and musical genres." - Anthony W. Rasmussen (Sound Studies) "Dorr aims to make critical interventions into a number of cutting-edge academic discussions regarding race, gender, sexuality, nation, and diaspora. She does so with a remarkable cogency that demands and rewards multiple re-readings. ... When she [...] describe[s] the vocal sounds of Sumac, Wendy Sulca, Susana Baca, and others, she does so beautifully, and turns her readers into more deeply attuned listeners." - John Gennari (The Americas) "Dorr offers a profoundly compelling and layered analysis of this musical phenomena, and the narratives of space and power that operate beneath the act of artistic identification. ... Built from a solid theoretical framework and with creative uses of the archive, <i>On Site, In Sound</i> is an excellent contribution that will be helpful to Latin Americanists who work on performance studies, sound studies, cultural studies, and the intersections of space, ethnicity, and gender." - Juan Suárez Ontaneda (The Latin Americanist) “Rigorously theorized, <i>On Site, in Sound </i>encourages interdisciplinary dialogues between ethnic, area, feminist, and queer studies; cultural, performance, and sound studies; and political and cultural geography. . . . Dorr’s analysis of Black women performing in Peru illuminate[s] how women use performative platforms to contest gendered restrictions on their participation in public discourse.” - Elizabeth Schwall (Latin American Research Review)