Isle of Rum Havana Club, Cultural Mediation, and the Fight for Cuban Authenticity
Produktdetaljer
Biografisk notat
CHRISTOPHER CHÁVEZ is the Caroline S. Chambers Distinguished Professor of Advertising and the director of the Center for Latina/o and Latin American Studies (CLLAS) in the School of Journalism and Communication at the University of Oregon in Eugene. He is the author of The Sound of Exclusion: NPR and the Latinx Public and Reinventing the Latino Television Viewer: Language Ideology and Practice.Isle of Rum Havana Club, Cultural Mediation, and the Fight for Cuban Authenticity
"<i>Isle of Rum</i> is an intoxicating journey through the heart and soul of Cuba’s most iconic spirit. Meticulously researched, ChÁvez’s exploration of the intersections of commercial pressures, the socialist state, and advertising culture provides a thought-provoking narrative of how authenticity is continuously reimagined in the global marketplace. Whether you are a rum aficionado, a communication studies student, or just curious about the sociopolitical complexities of Cuba, this is a must-read. Simply fantastic."<br /> - Marie Sarita Gaytán (author of ¡Tequila! Distilling the Spirit of Mexico) "Through decades of advertising and internal corporate documents, ChÁvez examines the case study of Havana Club rum. Unlike the ubiquitous Bacardi rum, Havana Club remains a state-run product, produced in communist Cuba. ChÁvez effectively argues that the ever-changing marketing campaigns reflect the evolving political, economic, and social conditions in Cuba, from campaigns that promote Cuban rum as a kind of cultural diplomacy to one that becomes about the marketing of the commodity itself to Western, capitalist social influencers." - Jennifer P. Mathews (coauthor of Sugarcane and Rum: The Bittersweet History of Labor and Life on the Yucatán Peninsula)
Rather than laying claim to authentic Cuban culture, ChÁvez explores which aspects of Cuban culture are deemed most compelling and, therefore, most profitable by corporate marketers. As a joint venture between the Cuban state and Pernod Ricard, a global spirits marketer based in Paris, Havana Club embodies the larger process of economic reform, which was meant to reintegrate Cuba into global markets during Cuba’s Special Period in a Time of Peace.
List of Illustrations
Introduction
Chapter One: Advertising and Authenticity
Chapter Two: Selling Cuban Culture
Chapter Three: Long-Distance Nationalism and the Logic of Capitalism
Chapter Four: Museums and Memory
Chapter Five: Rum, Race, and Representation
Chapter Six: The Losing Game of Authenticity
Acknowledgments
References
Index
"<i>Isle of Rum</i> is an intoxicating journey through the heart and soul of Cuba’s most iconic spirit. Meticulously researched, ChÁvez’s exploration of the intersections of commercial pressures, the socialist state, and advertising culture provides a thought-provoking narrative of how authenticity is continuously reimagined in the global marketplace. Whether you are a rum aficionado, a communication studies student, or just curious about the sociopolitical complexities of Cuba, this is a must-read. Simply fantastic."<br /> - Marie Sarita Gaytán (author of ¡Tequila! Distilling the Spirit of Mexico) "Through decades of advertising and internal corporate documents, ChÁvez examines the case study of Havana Club rum. Unlike the ubiquitous Bacardi rum, Havana Club remains a state-run product, produced in communist Cuba. ChÁvez effectively argues that the ever-changing marketing campaigns reflect the evolving political, economic, and social conditions in Cuba, from campaigns that promote Cuban rum as a kind of cultural diplomacy to one that becomes about the marketing of the commodity itself to Western, capitalist social influencers." - Jennifer P. Mathews (coauthor of Sugarcane and Rum: The Bittersweet History of Labor and Life on the Yucatán Peninsula)
Rather than laying claim to authentic Cuban culture, ChÁvez explores which aspects of Cuban culture are deemed most compelling and, therefore, most profitable by corporate marketers. As a joint venture between the Cuban state and Pernod Ricard, a global spirits marketer based in Paris, Havana Club embodies the larger process of economic reform, which was meant to reintegrate Cuba into global markets during Cuba’s Special Period in a Time of Peace.
List of Illustrations
Introduction
Chapter One: Advertising and Authenticity
Chapter Two: Selling Cuban Culture
Chapter Three: Long-Distance Nationalism and the Logic of Capitalism
Chapter Four: Museums and Memory
Chapter Five: Rum, Race, and Representation
Chapter Six: The Losing Game of Authenticity
Acknowledgments
References
Index